The objects in this series, thanks to special tricks, can be seen simultaneously from different sides, as if the observer's eye was at several viewpoints and at the same time was constantly changing them. Once, Picasso was engaged in something similar — a complex study of perspective angles, “mistakes” and “distortions” of the drawing. The photographic approach allows you to see the essence of objects inside out, as if the author was able to not only to see and capture these things in other dimension, but also to save these pictures after waking up in the usual reality.